The Paris Review has a really lengthy and fantastic old interview with Eliot in which he discusses his work methods, the influence of Pound and French symbolism, his playwriting and lots of other topics. He says that Four Quartets was his greatest work. I'm not sure, but the Little Gidding section is probably my favorite thing he wrote outside Notes Toward a Definition of Culture.
Anyway, the poetic peeps here will like it.
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